Another day passes. The night is swallowed by the morning light. The days are smaller and British Summer Time has been swept back, left behind. All around me nature goes on giving. Autumnal colours are at their peak. In the obvious gloom and despair which follows the rampage of this global pandemic, there appears to be a silver lining for Mother Nature. Unintended consequences perhaps, but nevertheless true; lockdowns and travel restrictions have ushered in a cleaner, less polluted airspaces, renewed interest in sustainable industries and a welcome positive focus on the ability of human beings to co-exist with nature. While the human toll relentlessly surges, killing more than a million people, nature is getting some respite – it is perhaps able to breathe more easily! The polluting haze has somewhat cleared as lockdowns, factory closures and other Covid 19 restrictions have led to temporary falls in carbon dioxide and nitrogen dioxide levels in many parts of the world.
Oddly enough, there is either excessive anxiety about getting ill and possibly dying, or in sharp contrast, there is unhealthy denial and scepticism. Why cannot we be guided by nature and react in a healthy and sustainable manner? Accept the transience and fragility of life, yet take reasonable precautions for keeping oneself and others safe. This kind of positive and balanced outlook will go a long way in ensuring that humanity will emerge from this horror into a healthier, cleaner world. But we need to keep the pressure on and continue to have the required debates and conversations, keep the pressure on for green jobs and clean energy, balancing infrastructure, efficiency and sustainable futures. After all our collision course with nature probably brought about the pandemic. The Covid 19 crisis surely overlaps with the climate and biodiversity crises. For instance, all the infectious diseases of the recent past have come from animals – either wild ones or the livestock we farm in ever larger numbers to satisfy our demand for meat. So it is pertinent for us to keep a balanced perspective and demand a more holistic and equitable policy of sustainable public health that is in tune with the health of the natural environment.
When I think of nature, in all its bounteous charm and beauty (although danger too lies in its wings), autumn is special, for the magic, it weaves with its tana bana of colour and contrasts before the onset of grey and dark days of winter. I think too of another bird Neelkantha (the Indian blue jay or roller, Coracias benghalensis) which has relevance and significance for so many of the Asian cultures. And, that reminds me of the Kingfisher and the beautiful poem by Robert Macfarlane and illustrated by Jackie Morris so evocatively in their awesome book called The Lost Words. And, if you are thinking of buying a gift for someone you love, I can, and do recommend this book as a special gift.
Kingfisher: the colour-giver, fire-bringer, flame-flicker,
river’s quiver.
Rainbow bird – that sets the stream alight with burn
Contributed by Drs. Amit Dholakia and Smita Tripathi
Navratri (literally nine nights in Sanskrit) is a religious festival from the South Asian sub-continent celebrated variously by Hindus, Sikhs and Jains. The festival is celebrated in the bright half of the month of Ashvin, which typically falls in September and October. It is vividly rich in thematic and content variations imbued with many diverse flavours unique customs, rich traditions and accompanied by medley of dances, songs and bhajans. Different parts of the sub-continent celebrate it variously; as manifested through the range of languages, foods, cultures, performances, rituals, celebrations and even attire associated with it. It is celebrated in Mauritius and Bali, along with other countries where Hindus reside. The diverse traditions and customs is traced back to regions and varied heritage, syncretism and unique path dependency of how the festivals evolved in the numerous regions and cultures. A very rich cultural – religious mosaic of events and rituals marks the unique celebrations and events. It is truly a special joyous exuberant opportunity to rejoice as expressed through the Sanskrit word Utsav (meaning to grow upwards) which is often used in connection with it.
The worship of the divine Devi, Shakti or Goddess is another central theme of the celebration and acknowledges the significance and role of the feminine and the maternal in our cultures. The worship of Goddesses represented by mothers, sisters and daughters are an amazing feature of this festival.
The spiritual overtone of this festival includes a focus on relaxing, reflecting, turning inwards and recharging ourselves with new energy. It suggests how negativity within or outside can be conquered by the inherent goodness and positive qualities of an individual. Our minds are constantly inundated with all kinds of noises, emotions and externalities, bickering, arguing, and judging, and so on. The isolation and the economic – social ramifications during this pandemic has been huge; Navratri is a time to overcome these tendencies, emerge stronger and come together as human beings.
In Northern parts of the South Asian Sub-Continent
To celebrate a good harvest and to please the nine planets, women plant nine different kinds of food grain seeds in small containers at the start of the nine days and then offer the young saplings on the tenth day as a sacred offering. adoration
In the Northern tradition, another popular ritual is KanyaPuja, which takes place on the eighth or ninth day. On this occasion, nine young girls are dressed as the nine goddess aspects celebrated during Navratri and are adored with rituals and worshipped with offerings of food and clothing.
Dussherra is celebrated on the tenth day and is associated with the victory of the Lord Rama over the demon-king Ravana. Ram Lila is a theatrical representation of the epic Ramayana (the Story of Ram) in play, song, dance and music over the nine days. The final day witnesses the victory of Lord Rama over the evil king Ravana (‘Vijay Dashami‘ day). The effigies of Ravana, and his two generals Kumbhakarna, and Meghnath are burnt to celebrate the victory of good over evil.
Dussherra is considered an auspicious time to begin educational or artistic pursuits, especially for children. The day often begins with a worship of our writing instruments, educational and work tools and a documenting of familial achievements in a family register. Ravana is worshipped on the morning of Dussherra, primarily because of his intellect, skills and prowess.
In Western parts of the South Asian Sub-Continent
The festivities in the West focus on communally performed dances, most famously the Garba and Dandiya, especially in Gujarat. These dancers wear elaborate, colourful, embroidered dresses. The dances are very energetic, exuberant and involve a lot of rotations, twirling and circling. They truly express the soulful and intense vibrance of Gujarat. Since it is believed that the Goddess is fond of red flowers and yellow colour, women and young girls prefer wearing clothes in these colours.
In Garba, women dance gracefully in circles around a pot containing a lamp whereas in the Dandiya dance, men and women participate in pairs with small, decorated bamboo sticks, called dandiyas in their hands.
In Eastern parts of the South Asian Sub-Continent
In Eastern parts of the sub-continent including Nepal and Manipur, Dussherra has its own variant and flavour as Dashian and is celebrated over fifteen days. On the 10th day a ceremonial Tika of yogurt, vermilion, and rice is applied on the forehead. Another important aspect is the worship of God as Mother (Maa). Followers of the Goddess Durga/Shakti, celebrate the occasion as Durga Puja.
The central storyline of the victory of good over evil is staged in the clay statues produced for the annual festival of Durga puja. It begins with the shape-shifting buffalo-demon Mahisa, who tricks the Gods into granting him immortality with the proviso that he could only be slain by a woman, hence making him practically invincible. The Demon Mahisa then becomes a scourge, challenging and harassing the Earth and the Gods incessantly till they decide to fight back; they combine their energy, the light streaming out of their heads joined together to materialise as Durga, a woman of sublime beauty. Armed with divine weapons and riding a lion or tiger, Durga approaches Mahisa and using her wit, charm and brute force, eventually slays him in a dramatic showdown.
In the traditional puja representation, Durga is shown in the crucial moment of the fight, piercing the beheaded demon with a spear, while her two sons Karthikeya and Ganesa and her two daughters Lakshmi and Sarasvati stand supportively by her side. Lion/tiger signifies dharma, the will power, while the weapons denote the focus and severity needed to destroy the negativity in our minds and environment.
It is said that Shiva gave permission to Durga to see her mother for nine days at this time of the year and this festival also commemorates this visit. Therefore, this tradition enables married women to visit their childhood homes.
Dhunuchi Naach is an impromptu dance performed in front of Maa Durga by worshippers dancing with burning incense pots. They dance and execute tricks holding burning pots to the beat of the dhaaks which are perfect musical accompaniments to the frenzied movements.
Sindoor Khela is held on Mahadashami when it is time to bid adieu to Maa and is occasioned by ritual play with red or orange colour. In parts of the sub-continent, in sharp contrast to feasts, extravagant meals, and social get-togethers, the festival is a time for fasting and prayers.
In Southern parts of the South Asian Sub-Continent
The festival takes on regional colours and hues with a very wide range of celebrations and forms. In Kerala, Poojavaippu is celebrated as a festival of education and learning with a focus on children worshipping their pens and books – this marks the beginning if their educational journey.
In Andhra Pradesh the festivities take on a floral aspect with the nine days being dedicated to the Goddess Maha Gauri. In Bathukamma Padunga (literally meaning ‘Come Alive Mother Goddess’), women make floral stacks accompanied by fascinating floral dances and songs.
In parts of Tami Nadu and Karnataka, Golu is the festive display of dolls and figurines during this period. Its regional names /variations include Bommai Kolu in Tamil which means Divine Presence, Bommala Koluvu in Telugu or the Court of Toys and Bombe Habba in Kannada which means Doll Festival.
Golu is the festive display of dolls and figurines during this period in parts of Tamil Nadu and Karnataka. Interestingly the dolls and figurines show every day scenes along with more religiously inspired divine scenes from the epics like Ramayana.
Spiritual Significance
The spiritual significance of the festival is rooted in meditating on the antar dhayan – the inner source of all energy. Through fasting, prayer, silence and meditation, the individual seeks an improvement in themselves – purifying oneself from within. This symbolic dhayan and manan, it is claimed causes one to emerge stronger and purer, it brings relief at the three levels of our existence – physical, subtle and causal. While fasting detoxifies the body, silence purifies the speech and brings rest to the chattering mind, and meditation takes one deep into one’s own being. The essence of this knowledge is acknowledged by celebrating the tenth day as Vijay Dashmi.
The Hindu, Sikh, Jain, Buddhist or Islamic ways of life has since time immemorial advocated living in harmony with one another and with nature. The symbiotic relationship between an individual, their community and nature has come into sharp focus during this period of lockdown. The Hindu philosophy of interacting with humanity in a way that promotes universal prosperity to satisfy everyone’s needs rather than greed shines through in this religious celebration. Navratri is the time for you to realize that you are loved, and dwell and rest in this feeling of love. When you do this, you come out feeling stronger, wiser, rejuvenated, refreshed and harmonious.
The celebration of Navratri is in essence the worship of the one Divine existence who manifests in various forms and avatars. The supreme being is worshipped in various ways – all aspects of life and nature are worshipped during these days. Worship of this divine enables the victory of good, removes miseries, sorrows and pains; bestows peace, prosperity and joy on one and all. In the end, Navratri is really about praying for universal wisdom and a simple wish to reconnect with something much bigger than each one of us and the occasion is a tool that helps us do that.
With the blessings of the Divine, may each one of us be imbued with the blessings of the Adi Seer; May you have–
The Prophet’s Birthday, or Milad un Nabi as it is commonly known in Muslim culture, is celebrated in many countries to commemorate the birth of the Prophet Muhammad. It is celebrated in the third month of the Islamic calendar Rabbi-ul-Awwal. While the Shias celebrate it on the 17th of the month, the Sunnis celebrate on the 12th of the month, according to the Islamic calendar. The date of this festival varies in the Gregorian calendar.
The celebration of Prophet’s birthday is believed to have its origins in the 8th century when the Prophet Muhammad’s birth house was converted into a house of prayer by Al-Khayzuran. Al-Khayzuran was the mother of Caliph, Harun-al-Rashid. Originally, the festival was celebrated by the Shias. For centuries, the day was celebrated with animal sacrifices and huge processions during the day which culminated by a speech by the rulers. People celebrate it with offering prayers in the mosques and distributing food and alms to the poor. In some parts of the world, the festival is observed with large processions and a carnival-like atmosphere. There is an atmosphere of festivity and people exchange gifts. The mosques are decorated with lights and sermons are given to large congregations. This is a public holiday in most of the Muslim countries. The custom of celebrating the birth of the Holy Prophet on an enormous scale began in Egypt with the descendants of the Prophet, through his daughter Fatima. Gifts of honey in particular is a unique part of the festival. One memorable part of the festivities include the Sheer Khurma – Sheer means milk in Persian and Khurma means dates. The sweet dish is made by cooking fine vermicelli, milk, dates, and other dry fruits until they all come together to make a delicious delight. Shahi Mutton Biryani, Hyderabadi Mutton Haleem and Peshawari Naan are some other delicacies that are enjoyed during this celebration.
We are at war against a novel virus that has rampaged around the world causing devastation and distress to families and communities. This unprecedented situation has seen the health crisis morphing into an economic and social crisis. Angst at the overwhelming impact, the South Asian community has come together in a modest charitable act of giving for the Food Banks (more on this later on). In the midst of this virus-induced situation, hope rears its head time and again reminding us that profound, positive change is possible provided we act together in unison. So many resources and policy efforts are being channeled at finding ways to mitigate the virus; our hopes are buoyed by the progress on vaccines (very much in the offing) and medical knowledge, including testing and increased health care capacity. We have already started adjusting and fitting in with the ‘new normal’. We have mostly worked in a united, concerted manner to get the R0* down; this unity of action makes me hopeful. That, despite the big divisions that rift our society, we have been able to put our best foot forward and pull together as a society. We have learned more about how to manage the virus; we individuals have power and social responsibility that can make a difference. We recognise the kind of challenges there lie ahead and are getting ready for the predictive winter resurgence of the disease.
*R0, pronounced “R naught,” is a mathematical term that indicates how contagious an infectious disease is. It’s also referred to as the reproduction number. As an infection is transmitted to new people, it reproduces itself. https://www.healthline.com/health/r-nought-reproduction-number
Despite the rainy days since the school holidays began, I know that there will be sunny days when we explore the South West and go out and about. This is not wishful thinking! Like much of life, the dhoop chaaw (धूप-छांव translated from the Hindi to sun and shade), the ups and downs of life mean that despite the Covid 19 and its rampage, I have friends who are pregnant, who have secured new and exciting jobs, who have found partners and are walking in the Alps (of their minds) …life and love keep blooming and the shades of grey disappear in the gleam of the rainbow lurking behind the clouds.
Newspaper and magazine editors are passionately writing about the learning being unleashed and the profound and positive change that is happening. We are hopeful, that hope exists along with the difficulty, uncertainty, and the suffering that lies ahead. Before we go much further, I must make clear that the views expressed in the newsletter are of the authors and do not necessarily reflect that of SaaS. I also invite articles to reach me before the 20th of the next month at the following email: southasiansocietynewsletter@gmail.com. Let us make this collective resource a big success.
Nina Simone’s smoky rendering of Feeling Good reverberates in my mind as I pen off:
It’s a new dawn It’s a new day It’s a new life For me And I’m feeling good
Keep hoping, changing and smiling Dr Smita Tripathi Editor, SAaS Newsletter and Trustee
We ride another trough, wondering when the next crest is coming and how will it leave us in its wake: will we need to get back to the drawing table, rethinking about what we do next and how we do it? Or, will the new normal be here to stay. We have bravely faced the challenges, which were unfathomable even a few months back, and we are learning all the time, banked by hope and buffeted by an affirmation of love – within relationships and within communities. This simple message of hope and love is powerful – there are hard times, some have been tackling it, others wonder when it will come their way! Look around you and you will see – nature and how it constantly goes on renewing itself. Perhaps we have a duty to hang on, with hope; this too shall pass.
The politics of change has to happen, what we WANT has to happen NOW. I would not want to wait a lifetime, yet again. I think about the future generation/s and want them to enjoy freedom from discrimination, where they are recognised and appreciated for themselves. Anjali’s narrative (see the previous newsletter June ) rings in my ears – such an existential issue she raises! What answers do we have for her and our children, youth? Can we afford to sit quietly and wait? Poem and politics is something that is extremely difficult to bring together, however, I heard the poem by Maya Stokes who is a 2020 Orwell Youth Prize winner. Her poem responding to the theme, ‘The Future We Want’ was powerful, stringing together though words many of the milestone events from history and our recent past. In the words of one of the judges a “visceral poetry…full of grit and wit and substance”. I quote the opening lines:
Did you hear? London is burning, and not for the first time. It appears that despite this city’s strange obsession with umbrellas, its foundations are as flammable as the first little pig’s house..
The full poem can be found here: https://www.orwellfoundation.com/the-orwell-youth-prize/2018-youth-prize/winners-orwell-youth-prize-2020/maya-stokes/
Since March 23rd, when the clampdown started in England, our streets and parks have been quiet; all regular life seemed to have ground to a halt. It wasn’t easy for me, or for others, to accept this new normal. Time was elastic and seamless, and you were waiting for something to happen, to break the awful dream that you were living. We are now hearing that those states in the USA like Texas and Florida, which eased social restrictions and distancing earlier, are now facing a resurgence of cases: we know that the virus is here, and will be with us, it is for us to be wise about our actions. This virus has no respect for borders and other socially created divides in society. WE are ALL reeling from its impact, in different ways and diverse extents. WE have faced the abrupt cessation of our everyday, taken-for-granted routines of life. Our working practices are radically being transformed, some have been canceled altogether, others face various threats and ruptures, now as well as in the future.
But the strange eeriness of the recent past is waking up, the street noises are more discernible, the lockdown as we know it is going to change as we look forward (or not) to that which is being touted as the Great Escape from the 4th of July. More social outings, more frequent laughter of groups coming together…our communities are slowly getting back to normal, but I hope it does not come at a cost. I hope reassuring sounds of nature is not obliterated by raucous get-togethers. It has been good spending so much time together, and being at home; let us be sensible in the next phase as well.
Before we go much further, I must make clear that the views expressed in the newsletters are of the authors and do not necessarily reflect that of SAaS. I also invite articles to reach me before the 26th of the next month (i.e. July 2020) at the following email: southasiansocietynewsletter@gmail.com. Let us make this collective resource a big success.
Dylan’s words are still fresh in my mind: “How many years can some people exist before they’re allowed to be free? How many times can a man turn his head and pretend that he just doesn’t see?”
In my opinion, headlines in the news media (e.g. BBC) are rightly being over-cautious while reporting deaths within South Asian communities linked to the Pandemic. Headlines such as “South Asians are most likely to die of coronavirus” have stoked fear among the South Asian community. This is particularly so, as reported death among health care workers of Asian origin is much higher compared to other populations. Although it is of high priority to focus on the safety of BAME/South Asian community especially when they represent a considerable proportion of frontline/key workers, it is indeed of utmost importance to have clarity about the issue so that appropriate approach can be adopted to identify most vulnerable members of the society. I have been working on COVID19 with my fellow academics and researchers within the UK and elsewhere in the world (Ireland, Germany, and India). As of now, despite higher death incidence in the BAME community, there is no concrete evidence or peer-reviewed reports showing a direct association between COVID19 susceptibility and ethnicity in general. Higher mortality in the South Asian community has been linked to factors such as a higher incidence of diabetes and cardiovascular diseases or a higher risk of occupational exposure.
Scientifically, COVID19 belongs to a well-known family of coronaviruses with RNA (Ribonucleic Acid) as their genetic material. One of the mechanisms by which this virus gains entry into the host cells is via the ACE2 receptor. Recent scientific research has revealed that circulating ACE2 levels are higher in men and in patients with diabetes or cardiovascular diseases. This partly explains higher mortality in males and in patients with underlying conditions such as diabetes or cardiovascular diseases. It is well known that diabetes and its associated complications are more prevalent in people from South Asian descent; however, this cannot be construed to generate general headlines reported by media outlets. It could be assumed that diabetic individuals from any ethnic background with comparable lifestyles would be equally likely to succumb to COVID19. Socio-economic and socio-cultural factors including maintenance of social distancing due to cultural traditions and economic deprivation are likely to be key determinants in mortality associated with COVID19 patients within the BAME community. In addition, it would be important to thoroughly examine the patient data sets from both BAME and other communities. This should include multiple factors such as economic disparities, cultural factors, and quality of life. It may emerge that healthy individuals or individuals with underlying conditions from any ethnic backgrounds and similar professional and economic status are equally likely to have COVID19. In this context, I would refer to an article recently published in “The Guardian” by Dr. Winston Morgan, a Clinical Biochemist (University of East London), stating that “Structural Racism” is the key underlying cause of high mortality in BAME community. Given the reported higher mortality among the South Asians, it is indeed a time for introspection within policymakers and managers for taking positive steps to identify the underlying scientific risk factors and work practices to improve quality of life and avoiding undesirable exposures of COVID19 within the community. While the media generalisation should be taken with a pinch of salt, the communities need to be vigilant to follow government rules to protect themselves from this merciless killer! ‘Stay safe’!
Dr Vikram Sharma
Lecturer in Biomedical Sciences, University of Plymouth
Disclaimer: We accept no liability for any errors, omissions, or representations. The copyright of this content belongs to the author and any liability with regards to infringement of intellectual property rights remains with them. The opinions expressed in this post are solely the author’s own views and do not necessarily represent the views of our society. Out attempt is to provide a platform for community members to share their views, reflections, and opinions through our website.
“Maa, why aren’t I white?” I asked, 5 years old. It wasn’t something that I had ever thought about until another child had pointed it out. It didn’t make sense to me, because in my mind I was just like everyone else – I was white.
Having had very few brown people around me, except my family, I didn’t realise the subtle effect this has had on me. It wasn’t until I went to university that I was truly confronted with the reality of it. The sudden diversity that I was thrown into in London, gave me unprecedented volumes of comfort and relief. That I could blend into the melting pot of races and cultures. That I was no longer one of just a handful of BAME students in my school, but one of a larger number. That I no longer felt I had to represent both myself and my entire culture to others – I could just be myself. That I now had many brown friendships, where we have a shared understanding of experiences as second-generation immigrants that didn’t require constant explanation.
Only now have I reflected on the experiences I had growing up in Plymouth and how they have shaped me into the person I am. Fortunately, outright racist comments or acts committed against me – like local teenagers throwing stones at our house, to the man behind us in McDonald’s loudly announcing that we should “go back to where we came from” – were few and far between. I consider myself incredibly lucky, as I know that this isn’t the experience of many people of colour in this country.
Microaggressions made up the majority of my experiences. Being made fun of for having a ‘moustache’ in primary school, to strangers asking where I “really come from”, to teachers constantly mispronouncing my name despite my corrections (or sometimes just coming to my name in the register before exclaiming “I’m not even going to try and pronounce that”). I’d be lying if I said all these things didn’t have an impact on the way I thought about myself and my culture. For years, I was ashamed of being different – being embarrassed to wear traditional attire, to speak to my parents in Hindi in public, or of my parents’ Indian accent. Much of adolescence involves a desperate desire to fit in, and being of a different race to the majority makes it so much harder to do so.
It wasn’t just the local community that affected me. Just switching on the TV, or reading books, or in films – it was rare to find a British brown girl. Representation in media matters because it reflects our society. If you aren’t represented, your society does not value you. A certain cognitive dissonance appeared particularly in my former years, where I simply didn’t believe that my skin was that dark. I had subconsciously subscribed to the eurocentric beauty ideals that I had been surrounded with. Even in later adolescence when I eventually did recognise my features as being different, I couldn’t see the beauty in my dark complexion or my thick eyebrows. It is only in recent years that I have begun to try to undo that damage. To become proud of my culture and heritage, to admire the bravery of my parents who uprooted their lives in India to move across the world to a country that was likely much more intolerant then than it is now. I have decided to love the richness of my skin and the features which I have inherited from my ancestors. I still have a lot of work to do, but I believe my journey of re-engaging with this part of my identity is still only just beginning.
Miss Anjali Jha
Medical Student
Disclaimer: We accept no liability for any errors, omissions, or representations. The copyright of this content belongs to the author and any liability with regards to infringement of intellectual property rights remains with them. The opinions expressed in this post are solely the author’s own views and do not necessarily represent the views of our society. Out attempt is to provide a platform for community members to share their views, reflections, and opinions through our website.
We grapple on, from our homes and the frontlines with this invisible (more on this later) yet deadly threat amidst us. In this scenario, I was asked to put pen on paper and write the next newsletter to the members, friends and well-wishers of our South Asian Community– to capture some of the emotions and feelings that we are going through. And, to solicit support for our charitable endeavour for the Food Bank by letting your latent talents and artistic gems rise to the fore by participating in our interesting Art and Talent Contest.
The words that we use to describe this current global challenge are woefully inadequate: invisible – hardly so, it has left in its wake crying and suffering people; unprecedented – how can we have forgotten the Spanish flu of the last century; bizarre, disturbing, shocking, terrifying are similarly insufficient to capture the blow it has dealt to different levels of society. I just have to think about my graduating students who face an uncertain employment market and the South West that we live in, so reliant on tourism and hospitality, facing a sunny summer with lock-down and social distancing.
Now more than ever before, we need to stand and support one another and be pro-active in our own ways in lending that helping hand. Find details of the Food Bank and how your generous donation will help people across the city.
The Thursday clapping has turned our thoughts collectively to those who are on the frontlines of this battle. We acknowledge and applaud the appreciable work the doctors/nurses/health care professionals wage on the frontlines. Our thoughts turn as one to the hospitals pushed to their limits, the toiling supermarket employees working to keep the essentials flowing, country after country on its knees fighting this silent lurking virus on a warpath.
You don’t need to open the television or hear the news to realise how people are suffering. The people who have run out of money or business, who are relying on food banks more than ever. Then there are those too tired to do their shopping after a long day at work or even too tired to eat – working long shifts at the hospital, care home or ensuring other essential services go on uninterrupted. It is painfully sad to hear of the death of health care workers – so many from our communities are on the frontline. Thursdays evenings are a day to look forward to – a small but mighty expression of solidarity and appreciation for those on the frontlines of this war. I have seen people come out with cymbals and bells and the good ole pot and spoon!
Last night we opened our front door and stood on the doorstep and clapped. Our claps resounded up and down the street and I could hear horns blaring and a few crackers blasting off around the city. The neighbours were out in full force – we were acknowledging and applauding everyone who works in the NHS, the carers whom we rely on when we are sick, those on whom we turn to in our illness and for our essential services. Who is looking after them, I wonder?? Who is making sure that their needs and their safety is a priority?
When will we appreciate the fundamental interdependence of our existence in this world? We are so reliant on the health system and on the retail and care sectors, the refuse and bin collectors, and others like them. Most often we take them for granted. At least by opening our doors and coming out we recognise the intrinsic connections between ourselves and those you look after us when we are vulnerable.
I hope and pray that this enemy does not come knocking on my door and, if it does rear its head, we shall be ready to fight it tooth and nail like so many before us have and after us will. The things that distinguished our days—commuting to work, dropping our kids to school, discussing work issues over coffee with colleagues, bumping into people in the printer room—has been put on hold, time tends to take on a flat, seamless quality. Without some self-imposed structures, our days can feel a little untethered, our lives a little hinged. But the human spirit in each of us is there, creative, enterprising, full of resources and ideas; the sun is shining, and the birds are singing, and we shall together prevail.
Or, as Rumi has expressed so eloquently:
“Be patient where you sit in the dark. The dawn is coming.”
More from me next time.
Stay safe, stay home, stay curious and stay well!
Smita Tripathi
Editor, SAaS Newsletter and Trustee
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